FeKK 2024: Winners

“Among the many intriguing documentary experimental films in the FeKK BAL regional programme, the topic of neglected workers’ rights, told with the use of an elaborate visual approach, resonated strongly with us. The gaze on broken older male bodies and the consequences of a neo-liberal capitalist system on the individual showcases the flaws in our society. . The FeKK Grand Prix goes to “Workers’ Wings” by Ilir Hasanaj.”

“A visual poem that subtly uses the multiplane cut-out animation technique, transports us in the head of the protagonist that is trying to escape the darkest parts of her mind. A strong first professional film convinced us with its perfect combination of image, sound and storytelling. The best film in the Slovenian competition Three Birds by Zarja Menart.”

“A very personal account about friendship, intimacy and a taxing illness, this film convinced us with its fresh and uncompromising approach to filmmaking. An honest and captivating portrait that doesn’t shy away from showing both the beautiful and the ugly sides of life, the special mention in the Slovenian competition programme goes to “Split Ends” by Hannah Koselj Marušič.”

“When a phrase is repeated over and over, it loses its meaning and we start to question its truth as the tension grows. A heavy cloud spreads over the portrayed family – is there an arranged marriage? Is there domestic violence involved? All these possibilities are brutally cut by the arrival of war in rural Kosovo. The FeKK BAL Award goes to Norika Sefa for her film “Like a Sick Yellow”.”

“An intense story told with great assurance, skillful cinematography and compelling acting performances, this film manages to create a tense and claustrophobic atmosphere on a train from Belgrade to Bar. For its powerful account of the last moments in the life of Tomo Buzov, the Special Mention in the FeKK BAL competition programme goes to The Man Who Could Not Remain Silent by Nebojša Slijepčević.”

“The short documentary skilfully navigates between two levels: On the one hand, it shows the fascinating character of Boštjan Čadež, whom we get to know both through his intimate relationship with the director and through his creative thought process. On the other hand, we see the socio-cultural impact of Boštjan’s play Line Rider, which has profoundly affected many lives and built communities of people, including those who are usually marginalized. A watchable, humorous and emotional film experience.”

“The film depicts the complex migration experiences of Vladimir, a single father living with his daughter in Austria – from the absurdity of bureaucratic procedures to the daily struggle for survival. We get to know the character not only as a template migrant, but also through an intimate, playful family relationship. In fact, the film also approaches the immigrant experience with humour and irony. The daughter’s innocent daydreams of a trip to Thailand collide with the harsh reality of the meatpacking industry, as only her father’s self-harm can save them from deportation from the country.”