Lessons in the dark
Opening programmes of the festival
The opening programme of Lessons of Darkness will take place almost simultaneously at two venues: at Kinodvor, with the films God Is Shy and Lessons of Darkness, and at the Slovenian Cinematheque, where, alongside God Is Shy, the programme will also feature Because the Internet 1, Because the Internet 2, Galactic Supermarket Presents Cosmic Rainbows and Portrait Werner Herzog.
Both opening programmes offer a look into the unknown – not so much as a search for answers, but rather as an attempt to see the familiar world from the other side, if only for a moment. This is most literally embodied by Werner Herzog’s Lessons of Darkness, filmed amid the burning oil fields of Kuwait after the Gulf War. Herzog almost entirely sets aside the political and geographical context and films the real humanitarian and ecological catastrophe as if it were an expedition to an unknown planet. The earth, covered in oil, smoke and fire, becomes both a document of a historical moment and an eerie sci-fi landscape. Made in 1992, the film seems no less apocalyptic today – quite the opposite. Its peculiar power lies precisely in its departure from explanation: it alienates the familiar just enough for us to see it anew and recognise, within the otherworldly images, something eerily familiar, something that seems to be returning today and could return at any moment in an even more cataclysmic form. This look into the unknown continues with the current festival hit God Is Shy by Jocelyn Charles, a psychedelic animated horror film in which an innocent game played by two fellow passengers on a train – the drawing of their greatest fears – begins to transform into something far darker and more unpredictable with the arrival of a mysterious female passenger. The film moves freely between humour, fantasy and horror, transforming fear into a space of imagination where the usual rules momentarily cease to apply.
Through the remaining films, the look into the unknown branches out in various directions. Portrait Werner Herzog turns it toward Herzog himself, the eternal explorer of extreme landscapes, images and human experiences, while Because of Internet 1, Because the Internet 2 by the recently deceased Jurij Hartman gazes into a much closer, yet no less foreign landscape: our everyday digital reality. The rapidly alternating shots of clouds and the sea, overlaid with a distorted sound structure, transform the promise of meditative viewing into an oversaturated stream of stimuli reminiscent of the disorientation of contemporary internet space. With Galactic Supermarket Presents Cosmic Rainbows, we return to 1977 and to OM Production, which understood film primarily as a space for discovering the as-yet-unseen. Through jerky editing, everyday images, scratches and punk energy, Marta Žnidaršič’s Super 8mm film manages to traverse nearly the entire spectrum of non-narrative film, from Jonas Mekas’s restlessness to Stan Brakhage’s ecstasy. The lessons in darkness are thus not lessons with a predetermined moral, but rather exercises in looking. Into catastrophe, fear, internet noise, film stock and unknown landscapes that may lie hidden even in the midst of a thoroughly familiar world. Darkness, in this context, is not something to be illuminated, but rather a space from which something may emerge that we have not yet been able to see in the light.
Matevž Jerman
God is Shy
Jocelyn Charles, France, animation, 2025, 15'
Lessons of Darkness
Werner Herzog, Germany, France, United Kingdom, documentary, 1992, 55'
Because the Internet 1, Because the Internet 2
Jurij Hartman, Slovenia, experimental, 2024, 12'
Galactic Supermarket Presents Cosmic Rainbows
Marta Žnidaršič, experimental, 1977, 16'
Portrait Werner Herzog
Werner Herzog, West Germany, documentary, 1986, 29'