FILMFEST DRESDEN: Here to stay: Queer Gazes from Germany
I vividly remember the day in autumn 2014, when I saw a group of maybe 10 people huddled together in the rain on a public square in Dresden demonstrating against the so-called ‘Islamization of the Occident.’ It was one of the first outings of Pegida, a xenophobic organisation that would go on so-called ‘walks’ through the city every Monday. I also remember thinking that considering Germany’s past, they would soon disappear. Barely two months later, 25,000 people ‘went on a walk’ through Dresden shouting xenophobic paroles. Around the same time, the newly founded right-wing party AfD also started to gain momentum, and the sentiment in Germany slowly started to change. Just 10 years later, in 2024, the AfD—a party considered by court judgement a suspected right-wing extremist in the federal state of Saxony, of which Dresden is the capital—is on the cusp of winning the regional elections here on September 1. This would mean that an outwardly right-wing party could govern a German state parliament for the first time since the end of WWII.
The programme is presented in cooperation with Filmfest Dresden.
Here to stay: Queer Gazes from Germany
Concurrently, hate crimes have been on the rise in Germany. On average, 70 extreme right-wing acts of violence were committed here daily in 2023. Violence against queer people in Germany has risen by over 154 % since 2014. On July 7 of this year, a rainbow flag was burned on the main square in Dresden.
It is thus high time to listen. To those who are affected the most by the worrying numbers above. Those who oppose the heteronormative standards of society. Those who came to Germany to seek shelter.
The protagonists in this programme of German short films are all longing for something. Be it a queer utopian future or simply a new home. Octavia’s Visions (2021) takes us on a poetic journey through the world of American author Octavia E. Butler. In Pirate Boys (2018), we return briefly to a punk era Berlin in which transness is explored through a photographic lens, while in Mother Prays All Day Long (2022) modern-day Berlin proves to be a challenge for Iranian refugee Hoda. A gay sexual encounter in Hundefreund (2022) soon turns into a serious discussion on politics and racism. What it means to be queer and Brazilian in Germany is explored in a humorous and very bare manner in the last film, It Is Not the Brazilian Homosexuals Who Are Perverse but the Situation in Which They Live (2021).
May these filmmakers be seen and heard, for they are here to stay.
—
Anne Gaschütz
Octavia’s Visions
Zara Zandieh, Germany, experimental, 2021, 18’
Pirate Boys
Pol Merchan, Germany, experimental, documentary, 2018, 13'
Mother Prays All Day Long
Hoda Taheri, Germany, fiction, 2022, 24’
DogFriend
Maissa Lihedheb, Germany, fiction, 2022, 19'
It Is Not the Brazilian Homosexuals Who Are Perverse but the Situation in Which They Live
Paulo Menezes, Eduardo Mamede, Leandro Goddinho, Germany, Brazil, fiction, 2021, 12’